I like the movement of this font, especially when it's connected in a word. It moves nicely around the letterforms. I don't know how much of the original letterforms of Helvetica need to remain but it's hard to know where those exist. I think the lowercase works better than the uppercase because the forms are naturally more curved which works well with your connection points.
I love this font! The connections from letter to letter flow seamlessly and create beautiful shapes that compliment the original letterforms. This type treatment works the best with lowercase letters, although it is interesting in uppercase as well.
check this out! http://www.designworklife.com/2011/09/20/student-spotlight-kelly-thorn/?utm_source=twitterfeed&utm_medium=twitter&utm_campaign=Feed%3A+designworklife%2Fdwl+%28design+work+life%29
I like the movement of this font, especially when it's connected in a word. It moves nicely around the letterforms. I don't know how much of the original letterforms of Helvetica need to remain but it's hard to know where those exist. I think the lowercase works better than the uppercase because the forms are naturally more curved which works well with your connection points.
ReplyDeleteI love this font! The connections from letter to letter flow seamlessly and create beautiful shapes that compliment the original letterforms. This type treatment works the best with lowercase letters, although it is interesting in uppercase as well.
ReplyDeletecheck this out! http://www.designworklife.com/2011/09/20/student-spotlight-kelly-thorn/?utm_source=twitterfeed&utm_medium=twitter&utm_campaign=Feed%3A+designworklife%2Fdwl+%28design+work+life%29
ReplyDeleteThanks Anu. Awesome inspiration!
ReplyDelete